The Gallery Wants Production Not Patience
The gallery wants twelve bowls by spring. I make one a week if the wood cooperates. I rushed a piece. It cracked in the kiln room humidity. Patience is not a...
Ravi Krishna
The gallery wants twelve bowls by spring. I make one a week if the wood cooperates. I rushed a piece. It cracked in the kiln room humidity. Patience is not a...
My father died two years ago. I found a blank of teak he had set aside. It smelled like his shop. My hands shook on the gouge. The bowl is imperfect. It sits...
A woodturning club, a 78-year-old retiree, and a vase that stopped a room. On mastery, impossible standards, and the cost of never seeing your own excellence.
A retired civil engineer reflects on his son's finance career — and what it means that abstraction now pays more than building real things.
A woodturner leaves a natural void in a mesquite bowl rather than filling it — and finds that absence can be the most honest part of what remains.